Foreword

Sarah Graham’s work is uniquely beautiful. Her twisting, flowing, sensuous flower forms, executed with a restrained elegance yet a contemporary brio and layered with ravishing colour, have an echo of Isnik art. Some have an even more distant orient form which influences her pale delicate drawing, while others executed in bold chiaroscuro, recall Japanese ink paintings.

Here is an artist who knows her metier intimately and faultlessly, and who has studied her subject with diligence and devotion. Sarah’s paintings and drawings are a delight to the eye, mind and heart.